Scribd is the world's largest social reading and publishing site. La nariz by Nikolai Gogol is Short Stories Trata de un hombre que se levanta un día y advierte que ha perdido su nariz. Más tarde se la. LA NARIZ DE NICOLÁS GOGOL. p. 1 / Embed or link this publication. Description. LA NARIZ DE NICOLÁS GOGOL. Popular Pages. p. 1. [close]. p. 2. [ close].
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The next day, Kovalyov writes a letter to Madame Alexandra Podtochina Grigorievna, a woman who wants him to marry her daughter, and accuses her of stealing his nose; he believes that she has placed a curse on him for his fickleness toward her ka. Why Shop With Us? However, in most cases we can dispatch the item considerably quicker. You may also like: Ivan attempts to bribe the police officer, but the officer refuses. Support For any questions, feel free to contact us.
In it more than anywhere else Gogol displays his extraordinary magic power of making great comic art out of nothing. Share your thoughts with other customers. Get to Know Us. Dispatch of items is arranged by AusReseller. Returns Policy Please choose carefully as AusReseller does not accept return of goods if you change your mind or made a wrong decision. Es una critica a la vanidad humana, a la ambicion de poder y a la excesiva preocupacion por las convenciones sociales.
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His main objectives in life are to climb the table of ranks and marry well, but without his nose, he can do neither. His nose is already pretending to be a human being. Payment policy Payment is expected within 3 days of the sale. On the 7th of Yogol, Kovalyov wakes up with his nose reattached. Views Read Edit View history.
He rejects Kovalyov's ad because he believes that the ridiculousness of the story will make the newspaper look too sensational.
Madame Podtochina — she is the mother of the girl that Kovalyov has been flirting with for some time. He refuses to propose to her because he believes he can marry someone even better, so Madame Podtochina is constantly bugging him about marrying her daughter.
The doctor Olfactory perception[ edit ] Some reviewers analyze the story literally instead of searching for symbolic significance. A literal interpretation suggests that Gogol's story is about the importance of olfactory perception, which is obscured in Western society by a focus on vision and appearance. His behavior reflects the influence of vision-oriented Western culture that emphasizes deodorization and hygiene.
Society and class[ edit ] Society and class played a very important role in determining one's life during the time of Gogol.
In a society that was obsessed with status, people had to always look their best and prioritize their outside appearance. When Major Kovalyov sees his own nose dressed in the uniform of a higher-ranking official than himself, he is momentarily embarrassed and unable to approach the nose. Even within the context of a ridiculous scenario, feelings of inferiority and jealousy still manage to creep into Major Kovalyov's mind.
However, the nose is able to slip away from Kovalyov by disguising itself as a doctor. This back and forth between the identity of the nose emphasizes how Gogol's Petersburg valued outward appearance much more than one's true identity.
Major Kovalyov is a minor official who acts like he is much higher ranking than he actually is. He refers to women as prostitutes and asks them to come to his apartment.
His main objectives in life are to climb the table of ranks and marry well, but without his nose, he can do neither. The nose is able to transform its size depending on what is needed to further the plot.
This strange ability plays into the absurdity of the story and adds to its comedic tone. Rather than focusing on his inner appearance, all of his energy and thought goes towards maintaining his outward appearance.
It is never explained why the Nose fell off in the first place, why it could talk, nor why it found itself reattached. By doing this, Gogol was playing on the assumptions of readers, who may happily seek absurd stories, but at the same time, still be wanting for a normal explanation. The loss of his nose represents a loss of his identity.
Since his identity is primarily defined by his outward appearance, the loss of that appearance devastates him.
Inspiration and reception[ edit ] As a literary theme, the nose had been treated by Russian authors at least ever since the translation, completed in , of Laurence Sterne's Tristram Shandy, in which the subject of noses is elaborately dealt with, especially in "Slawkenbergius's Tale". Noses, and even heads, which run about on their own, which disappear and then return, which are even baked in bread as in Part I of Gogol's story , are to be found in Russian literature of the s and s.
Mirsky writes: "The Nose is a piece of sheer play, almost sheer nonsense. In it more than anywhere else Gogol displays his extraordinary magic power of making great comic art out of nothing. Saint Petersburg landmarks[ edit ] As a Petersburg tale, "The Nose" has many references to the city of Saint Petersburg, where the action of the story takes place.
Kazan Cathedral, where the nose was praying. Voznesensky Avenue : Ivan, the barber, lives on this street.
Isaakievsky Bridge : Ivan throws the nose into the river Neva from this bridge.
Sadovaya Street : Major Kovalyov lives on this street. Nevsky Prospect : Major Kovalyov takes daily walks down this street. Kazan Cathedral : Major Kovalyov confronts his nose in this cathedral. Tavrichevsky Gardens : A rumor arises that the nose took to walking in these gardens Gostiny Dvor : Major Kovalyov stops here, happily, after his nose returns to his face Adaptations[ edit ] Dmitri Shostakovich 's opera The Nose , first performed in , is based on this story.
A short film based on the story  was made by Alexandre Alexeieff and Claire Parker in and used pinscreen animation. Another animated short film, made in , directed by Mordicai Gerstein and narrated by Brother Theodore , shifted the story to Pittsburgh and changed the names the barber is named "Theodore Schneider" and the nose-loser is named "Nathan Nasspigel".
Petersburg in search of his nose. The Kovalyov in Amalrik's play lives in a Marxist totalitarian society and is excessively concerned about his middle-class status. A play based on the short story was written by Tom Swift and produced by The Performance Corporation in